Danial Webster Design gown on display. Underwear for a cause.

•05/09/2012 • Leave a Comment

Indigo Blue's winning act at BHOF 2011, in custom couture gown created by local designer Danial Webster (POC Photo)

Lily Verlaine onstage at BHOF 2011 in the Stargazer Gown, by Danial Webster (POC Photo)

Inga Ingenue in a gown by Danial Webster (Photo by Shena Lee); Please visit Inga at http://www.bluevelvetburlesque.com)

Some mid-week eye candy for performers dreaming of custom costuming (or for “normal” folk such as myself that love to ogle beautiful garments): the Stargazer Gown, which was worn by Lily Verlaine for her performance at BHOF 2011, is currently on display at Retail Therapy (905 E. Pike, Seattle). The gown was custom made by designer Danial Webster, who in addition to his super-sexy underwear line, has worked with many a stage performer including Reigning Queen of Burlesque Miss Indigo Blue for her title-winning performance and Inga Ingenue, Miss Viva Las Vegas 2011. This year Danial has been hard at work with Minneapolis performer Ophelia Flame, who will wear a Danial Webster Design when she competes for the title Miss Exotic World 2012, Queen of Burlesque at BHOF weekend. A few months ago Danial invited me to his studio for a sneak peek at Ophelia’s gown; I won’t give away any spoilers, but I can confirm it is stunning. The artistry and detail of their collaboration is astonishing- just wait and see.

If you’d like to contact Danial about his custom gowns, please visit:

Danial Webster Design: danial@dwdesignonline.com
General Design Portfolio www.dwdesignonline.com
Danial Webster Underwear dwdesign.myshopify.com

Now through BHOF weekend, 20% of Danial’s online underwear sales are going to the Burlesque Hall of Fame 2012 Legends Challenge. You can pick up handmade undies for a special man in your life while you support the Burlesque Legends- check out the styles available HERE.

If you can’t make it to Retail Therapy, this breathtaking video filmed by Actor/Writer/Director Shawn Telford shows Lily and the Stargazer Gown in action:

Stark Naked.

•05/05/2012 • Leave a Comment

Madeline Rider and Wiggy Stardust of FAUXDUST (POC Photo)

“…where heat breeds plots, lusts and intrigues; to the vast and savage eastern lands; all the way to the frozen north, where an 800-foot wall of ice protects the kingdom from the dark forces that lie beyond. Kings and queens, knights and renegades, liars, lords and honest men…all will play the ‘Game of Thrones.” – HBO.com, Game of Thrones

A setup like this is positively teeming with possibilities for a live performance re-purposing. Seattle production duo FAUXDUST aim to shine a light on author George R.R. Martin’s incredibly complex characters with the launch of inaugural show Stark Naked: A Nerdlesque Tribute to A Game of Thrones in conjunction with Theatre Off Jackson this summer.

For a new production team, FAUXDUST partners Wiggy Stardust and Madeline Rider boast some enviable experience. Most know Wiggy as a burlesque performer and accomplished digital artist; she also interned with producer/performer The Swedish Housewife on the Wild Herring cabarets as well as on the epic rocklesque show House of Thee UnHoly at the Triple Door.

Madeline, a longtime contributor here at Burlesque Seattle Press, is known for her thoughtful sociopolitical critiques and feminist sensibilities. She has also worked with some heavy-hitters behind the scenes: first as a production intern for Miss Indigo Blue during her Blue Moon and Dark Side of the Moon cabarets, then as personal assistant to Lily Verlaine. Later Madeline transitioned to the role of production assistant for Lily Verlaine Presents during the 2010-2011 productions of Through the Looking Glass, 2010’s twenty-six show run of Land of the Sweets, Nightcap, and L’Edition Francaise.

Having worked behind the scenes with such accomplished company (and on such a grand scale), it stands to reason the ladies of FAUXDUST have picked up a few tricks along the way- not the least of which is dreaming big. As for why they wanted to tackle such an over-the-top concept as their first endeavor, the producers say via their Facebook page:

“Our first production comes in the form of Stark Naked: A Nerdlesque Tribute to the Game of Thrones. For those unfamiliar with Game of Thrones, it is the first in a series of high fantasy novels from author George R.R. Martin, also released in 2011 as an HBO mini-series. Originally written as a three-act storyline loosely based on the plot of Game of Thrones, Wiggy and Madeline have refined their ideas into several essential character acts giving their performers the artistic freedom to work from their own fantastical inspiration. More parody than adaptation, Stark Naked exaggerates the already over-the-top elements of high fantasy by staging displays of burlesque, music, and variety. We aim to marry the worlds of literature, music, and performance in an accessible yet tawdry spectacle of epic proportions with room for future expansion.”

A call for act submissions (which incidentally, is open to Seattle, Olympia, Portland, and all reasonable points Northwest) is currently open through May 15, 2012. Partial details are below; view the listing with requirements and other technical information on Facebook OVER HERE.

FAUXDUST PRESENTS:
Stark Naked: A Nerdlesque Tribute to the Game of Thrones
Produced in conjunction with Theatre Off Jackson

CALL FOR PERFORMERS:

Danaerys Stormborn, eat your heart out! Madeline Rider and Wiggy Stardust of FAUXDUST, a production company whose aim is to create fantastic collaborations between performance, digital, and musical artists without compromising on vision nor artist compensation, are hungry like the (dire)wolf for cast and crew for their debut production, Stark Naked, premiering at and produced in conjunction with Theatre Off Jackson in July 2012.

In search of: George R. R. Martin devotees, HBO’s Game of Thrones junkies, fantasy novel fans, a burlesque khalasar, swarthy swordsmen and women, singer-songwriters of ice and fire, and artists of all varieties! We are also seeking pick-up artists, crew members, and volunteers.

More parody than adaptation, Stark Naked exaggerates the already over-the-top elements of high fantasy by staging displays of burlesque, music, and variety. We aim to marry the worlds of literature, music, and performance in an accessible yet tawdry spectacle of epic proportions with room for future expansion. Stark Naked will be a burlesque poptacular, and we invite artists of all persuasions to submit act ideas that weirwood rock you.

Due to the limited number of female characters in Game of Thrones, we are particularly interested in performers– male, female, and anything in between–who would like to embody some of the male characters from the A Song of Ice and Fire series.

We also encourage performers from our neighboring cities of Olympia and Portland to submit their act ideas. We want Stark Naked to serve as a stepping stone for future cross-community collaborations. Geek-lust knows no boundaries! Arrangements can and will be made regarding housing and travel options for out of town performers.

Please email all submissions and any inquiries to fauxdust.presents@gmail.com. Please include in your submission: general concept, music, approximate length, colors, prop and stage requirements, a brief performer bio, head shot, and performance shot if available. Act idea submissions are due by May 15th, 2012, so get kraken!

Dates:
Tentative rehearsal dates (Performers must be able to make at least two of the following dates): June 17, July 1, July 8, July 11
Dress rehearsal (required): July 12
Production dates: July 13-14

ACT IDEA SUBMISSION DEADLINE: MAY 15, 2012

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If you’d like to help in ways leaning more towards “patron” than performer, FAUXDUST is also accepting donations to help grease the wheels of such an ambitious production. The funds aren’t for profitability but for production, say the ladies. Aside from production and artist guarantees, money raised will go directly back to performers. FAUXDUST seeks to pay all performers a livable wage without skimping on the production itself or setting too high a ticket price.

In these days of rampant Kickstarter campaigns, with scads of fundraisers happening in theater, dance, visual arts, radio- it’s often hard to find motivation to give (and give some more). Burlesque is no exception. But for all these causes, the best motivation of all is simply a show of support. Support of artists, support of ideas- because without them, life would be far, far less fascinating. And absolutely far less fun.

Read more about FAUXDUST’s take on making things happen OVER HERE.

For the boys.

•05/02/2012 • Leave a Comment

Mod Carousel and its individual super-studs The Luminous Pariah, Paris Original, and Trojan Original absolutely rocked the 1st Annual New York Boylesque Festival last weekend. Seattle burlesque is world-renowned; it could be that the second half of 2012 (and perhaps 2013?) will belong to the boys. Next up, Mod Carousel Presents: WHAM! BAM! KABOOM! at London’s Brick House (May 8 – June 16); in other exotic locales, Wes Hurley’s film “Waxie Moon in Fallen Jewel” has been accepted into both the Tel Aviv LGBT Film Festival and Glasgay, the largest LGBT festival in the UK (held in Glasgow, Scotland). Cherished boylesque performer/performance mentor Waxie Moon was about the only Seattle star missing from an otherwise delectable lineup at the New York Boylesque Festival. The following collage from the Saturday night show provides a mere peek at what went down- our local heroes pop up throughout, Jonny Porkpie (at 3:32) scores for originality…and Tigger! gets all up in your face with his mesmerizing “Spirit In The Sky” number at the end. Too many sizzling moments to mention. Watch it.

(This clip features in order: Mr. Gorgeous, Mod Carousel, Bastard Keith, Mahogany Storm, Dew Lily, Jonny Porkpie, the’Luminous Pariah, Paris Original, Go-Go Harder, Hot Toddy, Evil Hate Monkey, & Tigger!)

Congrats to all the boylesque performers, as well as to Thirsty Girl Productions and promoter Daniel Nardicio on a successful first year.

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This week’s featured performer from the upcoming Burlesque: Strip Strip Hooray! Tour is the one and only Dirty Martini.

Dirty Martini (Photo by Roxi D’Lite / Please visit http://www.roxidlite.com)

No one but Dirty (paired with country queen Dolly Parton) could make “God Bless the USA” such a finely nuanced statement piece. Here is Dirty Martini, performing at “The Missy & Leyla Show” (presented by Rhymes with Purple Productions as part of Glasgow Cabaret Festival). Who doesn’t love a scandalous ribbon dance?

For tickets for Seattle’s Burlesque: Strip Strip Hooray! shows HERE. For tickets to Strip Strip Hooray! in other cities, click HERE.

Give till it hurts.

•04/27/2012 • Leave a Comment

Jennie Lee The Bazoom Girl: the tassels that launched 1000 trips. (Flyer by Wiggy Stardust)

No arts community pulls together the way that burlesque does. Across the nation right now a series of Legends Challenge Benefits are under way, all designed to raise funds to bring their far-flung, tassel-twirling sisters back to the mothership- the Burlesque Hall of Fame Weekend in Las Vegas. Running continuously since 1957, Reunion attendance busts its bejeweled seams every year and truly means the world to the ladies from burlesque’s heyday that are able to be there. The Hall of Fame is still reaching women now in their 60s to 90s- ladies that had no idea anyone would remember their names, let alone treasure their twinkling histories and holler for them on stage. Miss Kitty Baby, just returned from Tease-O-Rama’s Legends Brunch in San Francisco, reports that when asked what their most cherished performance memories were, those in attendance confessed that the outpouring of love and friendship they felt performing for peers and friends at BHOF was without a doubt their most memorable achievement.

Seattle is sponsoring three Legends this year- meaning, offsetting the costs of travel and accommodations for Velvet Ice, Eartha Quake, and Di Alba, who was recently been located and will be performing at the upcoming Fringe & Feathers Benefit for the first time in 27 years. Now 66 years old, Di is beside herself with excitement to join the ‘modern exotic’ family headed to BHOF.

What a DISH. The Beautiful & Sexy Di Alba (which was actually her tagline in burlesque)

Two upcoming burlesque throwdowns are a part of the Legends Challenge:

Thursday, May 3, 2012: Fringe and Feathers ~ A Burlesque Hall Of Fame Legends Challenge Fundraiser @ the Jewel Box Theatre
http://fringeandfeathers.eventbrite.com/

Hosted by: Miss Kitty Baby
Starring: Legend ~ Di Alba

Tamara The Trapeze Lady
Kylie Koyote
Ginger Snapz
Evilyn Sin Claire
Iva Handfull
Vixen Valentine
Miss Fortune
Richard Longfellow
LuLu Bell

Wednesday, May 16, 2012: Midnight Menagerie Productions Presents A BHOF Legends Challenge Fundraiser @ the Jewel Box Theatre
http://midnightmenagerie.eventbrite.com/

Host by that Glamorous Gal with the Golden Gullet, Gams Galore
With Special Guests:
Boom Boom L’Roux
Whisper de Corvo
Beatrice Belladonna
Sir Eddie Van Glam
Stella D’Letto
Vixen Valentine
Miss Kitty Baby
Fosse Jack
Pidgeon Von Tramp
…and more

But first up, this Saturday one showcase is dedicated solely to fundraising for the preservation of burlesque’s rich history through the Burlesque Hall of Fame Museum Archiving Project.

Saturday, April 28: The Academy Benefit for the Burlesque Hall of Fame @ West Hall
https://www.brownpapertickets.com/event/239484

Reigning Queen of Burlesque 2011, Miss Indigo Blue, happens to be celebrating her birthday that night- and in appropriately regal, philanthropic fashion has arranged the very best in mostly naked entertainment to support the archival process:

Miss Indigo Blue, Reigning Queen of Burlesque ’11
Inga Ingénue, Miss Viva Las Vegas ’11
Lily Verlaine, 2nd Runner Up ’11
The Shanghai Pearl, Best Debut Competitor, 09
The Heavenly Spies, Best Duo 2007
Velvet Ice “The Sleaze with Ease”, Seattle’s Vintage Vixen
Heidi Von Haught, formerly of the Von Foxies, Best Troupe 2007
Elsa Von Schmaltz, formerly of the Von Foxies, Best Troupe 2007
Miss Kitty Baby
Vixen Valentine

So much love! So much talent! So many beautiful bodies. If that’s not enough to make you hot under the collar, I don’t know what is. If you’re feeling extra inspired, ticket packages are available to all three shows at a bargain rate- click HERE on the orange “Begin Order” icon to view the options.

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Also to be filed under Very Big Deals, this weekend (Friday April 27- Saturday April 28) NYC hosts the first ever New York Boylesque Festival, “celebrating the male performer and best of male burlesque”. The lineup is absolutely killer. Among other luminaries, the festival features our very own hometown honeys:

Trojan Original (Seattle)
The Luminous Pariah (Seattle)
Paris Original (Seattle)
and Mod Carousel (Seattle)

I ran into The Luminous Pariah a few days before his departure to the festival, and he told me he was extremely excited and honored to be a guest at such an important new event. The three performers will soon be off to London and beyond- check back for future postings on their adventures.

It's about time.

The Truly Real Human Female.

•04/26/2012 • 1 Comment

Fuchsia FoXXX in The Beyond Real Human Female at Theatre Off Jackson (Photo by Tim Durkan)

– by Madeline Rider (Contributing Writer, Seattle)

Last Saturday evening, a late night installment of the sixth annual Solo Performance Festival featured burlesque for the first time. The event was Cherry Manhattan’s The Beyond Real Human Female and included performers Fuchsia FoXXX, Jesse Belle-Jones, and Diva le Déviant as well as the producer herself in a slow-burning diptych. Promotional materials touting the promise that The Beyond Real Human Female would “[play] with expectation, form, gender and the body politic in the true spirit of burlesque as a transgressive and transcendent space” left me dubious, as so often I have witnessed a burlesque exploration of sociopolitical ideals fall terribly short. Although setting an incredibly high bar for themselves artistically, viewing the first half of the show with the understanding that these performers were acting with specific intentionality prompted more intellectual participation. What may have come off as at times mediocre was transformed by the lens through which I was viewing the performance, and the statement of purpose was what unified these acts. This purpose was also particularly capable of transcending the now (unfairly) dreaded cabaret format and effectively engaging the audience.

After a brief preface from Ms. Manhattan and an introduction by “feMC” Diva le Déviant, Fuchsia Foxxx opened with her high glamour, instantly recognizable style of bellydance. It was particularly recognizable as I had, in fact, seen the number on several occasions previously. From Fuchsia’s performance on I began to reflect on the significance of burlesque performers at a “solo performance festival.” From the beginning, burlesque has been notably do-it-yourself and as a performer, one becomes a multifaceted marketing machine. The catch being you are the commodity you are attempting to sell. Online and in person, burlesque performers are often obligated to manifest an image and brand that patrons can immediately associate with the individual; the payoffs of achieving this recognition successfully are the patron’s dollars and a positive professional reputation, which in turn opens the door to further creative endeavors. So one is selling oneself to patrons and to producers, but the name being advertised isn’t yours. The history and backstory of your brand are not yours, and rarely do the hairs on your head- nor your long black lashes- actually belong to your body. But all of these descriptors, these tiny details comprising a whole, are meticulously plucked from one’s own experience. Within all myths are shards of truth. The Beyond Real Human Female attempts to dissect what Reality looks like for the individual performer and the thread-thin line we trudge as artists between what materially exists and what we create with our minds.

This notion of the individual experience carried with me through the first act with Jesse Belle-Jones providing a stunning performance in another familiar number that seems to exponentially increase in entertainment value with each viewing. Cherry Manhattan presented an insidiously cute vignette of unrequited love. We were brought back from a brief intermission with a jolting video installment presented by Diva le Déviant (known at this point as one of her three alter egos, Daddy le Déviant). A stomach-churning survey of news and media footage featuring the recent onslaught of political attacks on women’s rights segued into the conclusion of what we found out to be Cherry’s joke on us. With the reuse of music from her previous number (standard tricks of the tease) and uncontrollable sobbing, Ms. Manhattan managed to make me feel spectacularly uncomfortable as a viewer, a discomfort emphasized further by the inappropriate hooting and hollering of an older gentleman in the front row (an incident that led my date to ask me if perhaps the catcalling had been staged).

Cherry Manhattan (Photo by Tim Durkan)

Both Jesse and Fuchsia’s final performances perpetuated this eeriness. Fuchsia’s second offering in particular- a stark contrast to her opening act- featured some of the most prominent female musicians of my own adolescence. Although rarely heard in the burlesque circuit, the music’s connotations to feminine loneliness, self-discovery, and exploration are impervious to debate. Refreshingly, the second act presents neither obligatory happy ending nor cliché orgasmic trope. What The Beyond Real Human Female provides in the end is a forum for a group of complex, imperfect, and truly real human women to create art from the place their characters originate: their souls. Ideally such work can exist outside of a specifically curated two-night run, and hopefully the curatorial organization and emotional reveal seen at Theatre Off Jackson this weekend will inspire others to follow suit.

The Beyond Real Human Female will show once more this Saturday, April 28th, at 9:30pm at Theatre Off Jackson. For more information and tickets please click HERE. You can find additional profiles of the women behind The Beyond Real Human Female on photographer LaRae Lobdell’s blog, www.photosister.com.