The Luminous Pariah

•12/28/2010 • Leave a Comment

The Luminous Pariah has been popping up more and more in Seattle burlesque over the last two years, and once you’ve been accosted by his particular brand of hyper-intelligent satire mixed with avant-garde costume pageantry you’ll understand why. He’s a bit like a male version of Bjork, only minus the annoying bits and cutesy affectations.

Luminous- who grew up in Juneau and studied theater at Cornish- draws form and skill from an extensive dance and theater background. But he credits ecology, his current area of obsession, with many of his ideas. The interaction between organism and environment appears in a lot of his burlesque, as evidenced by “Bird of Paradise” and “The Greatest Catch” (in which Luminous guts a fish that’s swallowed a glittery pair of heels).

Luminous explained the thought process behind these acts:

My idea for “Bird of Paradise” came from watching Planet Earth, narrated by David Attenborough. I think it’s amazing that those isolated birds have evolved to sport such fantastical displays and elaborate mating dances. I can’t help but notice the parallels between the extravagant displays the birds of paradise put on to attract a mate, and the almost equally ridiculous displays that human “peacocks” put on to attract a mate. It’s also interesting that ritualized dance is part of all existing human cultures; and some other animals as well.

Bird of Paradise: The Luminous Pariah (ELD Images)

“The Greatest Catch” my fisherman act, came from the mental block that I had creating a piece to debut in my hometown in Alaska. I was afraid of how a crowd full of Coast Guard dudes and fishermen might receive me; so I took that fear and ran with it – I turned it into a burlesque version of what it was like growing up in a small Alaskan town.

The Greatest Catch: The Luminous Pariah (ELD Images)

The Greatest Catch, part 2 (ELD Images)

As for his involvement in burlesque and the gender-specific trappings that go along with it, Luminous has this to say:

I stumbled across a burlesque show two years ago and was blown away. I had no idea that burlesque could be an artful, tasteful, extremely creative and affective form of theatre. I had to be a part of it!

I don’t have a problem when “boylesque” is used in my title, however I think that using the title “boylesque” further separates me from my fellow artists who happen to be female. Personally, if the only difference between burlesque and boylesque is what gender my character/persona is, or what happens to be dangling (or snugly nestled) between my legs, then why refer to us separately?

The Luminous Pariah appeared in Nightcap: L’Edition Francaise and Grab My Junk with Jo Boobs, as well as in Shine: A Burlesque Musical in Seattle and NYC. Catch him next at Can Can’s WTF Wednesday (January 5 @ 7:30pm), and find out more about Luminous by visiting www.theLuminousPariah.com

Happy Holidays from Burlesque Seattle Press (NSFW)*

•12/25/2010 • Leave a Comment

*NSFW is a relative term, considering this site’s content; I operate under the assumption you’re willing to take your chances if you’re a regular on Burlesque Seattle Press.

January 1955 Playboy: covergirl Bettie Page, shot by Bunny Yeager

Happy holidays to everyone that stopped by Burlesque Seattle Press or read my column this year, and to all the subscribers who get the special privilege of occasional first draft typos delivered right to their email boxes. Many thanks for finding this site, and for sharing my love of burlesque. Many thanks also to those I’ve interviewed or corresponded with this year, and to all my photographer friends that have generously shared their work.

As a special holiday treat, I’ve chosen Bettie Page’s January 1955 Playboy cover. This was the first pinup photo I ever trolled Ebay for back around 1998; it was the first of many, and kicked off a lifelong obsession that naturally, found its way to burlesque. Happy holidays!

Making the Best of $5 Cover Seattle.

•12/23/2010 • Leave a Comment

If MTV’s $5 Cover Seattle had just a few unscripted moments, perhaps our poor musicians would have seemed as charming and lifelike as they are in, well…real life. Better yet, I wish the show was as candid and interesting as the “Seattle Scene: B-Side Docs” segment on Seattle burlesque. Indigo Blue, Lily Verlaine, and Honeysuckle Hype could have been hilarious marauders mingling with the musical elite. That would have made for some worthwhile tv.

The burlesque documentary portion of the web-only show is well done, though a little hard to get to. Visit fivedollarcover.mtvmusic.com, then click on “Seattle Scene”, then “Burlesque”.

Here’s some pretty screen shots:

Miss Indigo Blue, demure on mtvmusic.com

Indigo, not so demure

Ruby Mimosa of The Atomic Bombshells in rehearsal

Ruby Mimosa: again!

Speaking of Ruby Mimosa, a little bird told me she’s about to open a boutique in Seattle specializing in all things burlesque. Check out a little teaser HERE.

The incomparable Jasper McCann.

•12/22/2010 • Leave a Comment

Jasper McCann

Part two of my ode to Seattle’s best hosts continues in today’s Burlesque Box (see also my BSP interview with Nicole Lucas, below). Jasper McCann- host of The Atomic Bombshells and one half of the production team Lily Verlaine & Jasper McCann Present- is one of my favorites. Burlesque draws a socially lubricated crowd in pursuit of one thing- T&A. Attention spans are tenuous when skin is involved; a lesson more MC’s should take to heart. Jasper is a consummate host, entertaining and quick-witted despite unpredictable audience interaction. He relies on few stock jokes, preferring instead to make performers as fantastical as possible and letting the audience draw their own conclusion- invariably a filthy one. Inference becomes the punch line. In framing an act, Jasper moves the show forward but plays a convincing spectator.

This year, the incomparable Jasper McCann celebrates five years hosting and co-producing Land of The Sweets: The Burlesque Nutcracker. Catch him now through December 24, where he’ll be right at home on The Triple Door’s stage.

www.landofthesweets.com

Jasper with Stella Rose in 'Lost In Space'

Dixie Evans and Joan Arline to appear at ‘Gypsy Centennial’

•12/19/2010 • Leave a Comment

Dixie Evans (photo courtesy of The Burlesque Hall of Fame)

The honored guests attending the upcoming Gypsy Rose Lee Centennial Celebration just got even hotter: the event’s producer The Swedish Housewife announced today that burlesque legend Dixie Evans will be in attendance. Not only that, Joan Arline (The Sexquire Girl, who once upon a time performed with two Russian wolfhounds) will perform alongside modern-day trailblazers Catherine D’Lish, Lily Verlaine, and Inga Ingénue.

The multi-media celebration doubles as a fundraiser for The Burlesque Hall of Fame, the Las Vegas museum dedicated to preserving the history of not only Gypsy (who incidentally, was born in Seattle), but the many other glamorous outlaw performers whose colorful lives made a lasting mark on history. Actress/singer Sarah Rudinoff will read from American Rose: The Life and Times of Gypsy Rose Lee, the forthcoming biography by Karen Abbott, and there will be a special video presentation created for the event by Deirdre Timmons (director of “A Wink and a Smile”).

There are scads of reasons to attend this show, not the least of which is that it will be hosted by Miss Astrid, my personal favorite burlesque emcee of all time. One of the original performers with The Velvet Hammer- the infamous LA troupe that helped ignite the current era of neo-burlesque- Miss Astrid has a devilish wit that no one is spared from- not even The Swedish Housewife, who brought her to Seattle last summer for Mid-Century Modern.

Get tickets HERE, and feast your eyes on the devious Miss Astrid, Joan Arline, Dixie, and Gypsy Centennial details over at Swedish Housewife’s central entertainment communications office HERE.

Joan Arline (photo courtesy of The Burlesque Hall of Fame)