Blood, Sugar, Sex, Magic.

•07/04/2012 • 1 Comment

Sinner Saint Burlesque in “Blood Sugar Sex Magic” (POC Photo)

~ Written and photographed by Paul O’Connell (POC Photo)

Every time I have been in a funk- you know, one of those “the world sucks” or “nobody understands me” moods or just having a plain old fashioned bad day- going to a burlesque show always makes me feel better. It’s true. As the performer’s clothes fall away, so do all my cares. If I were a therapist I would prescribe a generous helping of striptease therapy to all my patients. This was the case last Thursday, when I saw the lovely ladies of Sinner Saint Burlesque in their new show Blood, Sugar, Sex, Magic. (Thanks for curing what ails me).

For about six years now, Sinner Saint Burlesque has been performing every Thursday night at Club Noc Noc in Seattle with many well-known performers having been part of this troupe over that period. Their current line-up is Evilyn Sin Claire, Doña Dei Cuori, Lady Tatas, Jesse Bell-Jones and Polly Wood. Each of these ladies add their own magic to the troupe as well as being fabulous in their other burlesque/performance endeavors outside of Sinner Saint. Over the years they have developed an intern program for up and coming burlesque performers (their current interns are Lotti Glitterati and Nikola Teas-la). The woman who brings it all together on stage is the host Diva le Déviant, “The Bitch in Charge”. Diva took some time to answer questions about their current show and her history with the troupe:

Diva le Déviant (POC Photo)

POC: How is hosting Sinner Saint different from hosting other shows…like one-offs, Skinny Dip etc.?

Diva: One of the main differences is the audience. The audience at the Noc Noc is a unique beast and I’m sure just about ANYBODY that has hosted our show feels the same way. Our audience tends to be pretty rambunctious and loud, which is a lot of fun but also a challenge. As an MC I’ve really had to master ways of letting the audience know that I am present with them and responsive to them, while at the same time being entertaining and moving the show forward. If the audience feels like the host is just “filler” between acts they’ll talk quite a bit and there you are, onstage, feeling like you’re performing to a wall of sound. I’ve developed a number of strategies for keeping our audience engaged and the more I perform in that venue, the more I notice the audience really is WITH me listening intently and having a conversation with me.

The other main difference is working with this specific troupe. The principal performers of Sinner Saint Burlesque put so much intentionality into developing their personas and acts and the “brand” of Sinner Saint Burlesque so everything they bring to that stage is well crafted, including the way I talk about them and intro their acts. Yes, I certainly do quite a bit of improv on stage, but how I contextualize them matters to these performers more than any others I’ve worked with. They understand that the way I intro them has the power to add value and layers to the material they’re presenting so they are much more directive and collaborative in the MC process than most performers. I find it challenging and rewarding to be held to a higher standard and to receive critique and feedback from them.

POC: What’s it like working with this troupe?

Diva: It’s fun, sexy, and HARD! We work a lot of hours in order to present high quality entertainment that is smart and sophisticated. I love that this troupe spends so much time together rehearsing, work shopping and critiquing acts, and collaboratively building shows so that the final product is cohesive. They put time and attention into so many aspects of the craft of burlesque performance from their hair, makeup and costumes, to act choreography, and the show’s story arc. It’s an honor to work so closely with artists of their caliber. They are inspiring me to pay close attention to every detail of what I present on stage and are helping me take my own art to new levels.

POC: With other Sinner Saint shows, I’ve usually seen a show with a theme and acts, new or old, based around that theme. With this latest run (Blood, Sugar, Sex, Magic) it seems there was more of a carefully constructed narrative than previous runs (though I didn’t see the last one) with completely new acts. Was that something Sinner Saint explicitly wanted to do for this latest run?

Diva: Yes, absolutely. One of the things I have done prior to working as the resident host of Sinner Saint Burlesque, probably most notably with the Beebo Brinker Cabarets, was to write narrative cabarets. I really love doing this because it still allows cabaret artists the freedom of creating and rehearsing their acts on their own, but gives the audience the experience of a more cohesive show that tells a story. So when Sinner Saint approached me about coming on board and we had conversations about my role and what our work together might look like, I asked them if this is a format they would like to try out. They were very receptive to the idea because as a troupe they are always looking for ways to raise the bar and increase the entertainment value of their shows. So we created out first narrative cabaret, Behind the Pasties: A Burlesque Mockumentary, together while they were in London performing at the Brick House and I was here in Seattle maintaining the weekly revue. Since we were creating the show at a distance and didn’t have much rehearsal time together, I wove that story together based on acts each performer already had in her repertoire. The show ended up being really silly and lighthearted, a fun little stomping ground for us to try on this new format together and work out the kinks. We learned a lot together about how to present this format in front of our rowdy audience while staying true to Sinner Saint’s process, values, and aesthetic and I think all the learning we did is evident in the quality and cohesiveness of Blood, Sugar, Sex, Magic. This show feels solid and grounded…and of course, SEXY. Not all of the acts in this run are brand new, but there was a high bar for making sure we could plug old acts into the storyline in a meaningful way.

POC: How did you first get involved in Sinner Saint Burlesque? (I think the first time I met you was at the show that Scotty The Blue Bunny hosted which was in July 2010-and you were in the audience with me)…

Diva: Wow! You have a good memory, Paul! This is, indeed when you and I first met. I had become a fan of Sinner Saint Burlesque in late 2009 and really loved their host Nicole Lucas. I was a budding cabaret performer at the time and felt like Sinner Saint Burlesque was a venue I’d like to try my hand at. I approached Audrey McManus, who was their producer extraordinaire at the time, and asked if they ever booked guest hosts. She let me know that occasionally when Nicole was sick or had another gig they would hire an outside MC for a night or two and that she’d keep me in mind. Well, it turned out that they needed help stage managing before they ever needed a guest host so Audrey asked me if I might be interested working with the troupe in that capacity. I gave it a try and found that I really enjoyed stage managing. I think Audrey, the smart woman that she is, knew that I had a lot of interest in the troupe so she wisely kept inviting me back to help with various things so my role evolved from stage manager, to guest host, to PR maven. The troupe has been through some major changes in the last two years with Nicole moving to Texas, Audrey stepping out of her role as Producer so she could focus on being an awesome mom, the troupe has now traveled to London to perform twice, and the principal performers have decided to own the Sinner Saint Burlesque brand and make it their own officially licensed business…fast forward to 2012 and now I’m working alongside awesome performers and entrepreneurs that I am also a fan of. It’s pretty rad.

POC: What plans do you all have for the future?

Diva: We’re currently in the process of creating our next run but that information is super-sexy-top-secret at the moment so I can’t tell you what we have up our…ahem…sleeves…

******

Special upcoming guest stars are:
The amazing Flirty Sanchez on July 5th
And the burlesque mayor of NYC, Jonny Porkpie, July 12th

Blood, Sugar, Sex, Magic closes on July 26th. Check HERE for info & tickets.

Here are some more photos from last Thursday’s show:

Solange Corbeau and Penelope Rose (POC Photo)

Polly Wood (POC Photo)

Lady Tatas (POC Photo)

Doña Dei Cuori (POC Photo)

Evilyn Sin Claire (POC Photo)

Lotti Glitterati (POC Photo)

Lotti Glitterati (POC Photo)

Doña Dei Cuori (POC Photo)

Nikola Teas-la (POC Photo)

Doña Dei Cuori (POC Photo)

Lady Tatas (POC Photo)

Diva le Déviant (POC Photo)

Polly Wood (POC Photo)

Evilyn Sin Claire

Evilyn Sin Claire (POC Photo)

Sinner Saint Burlesque & their Diva (POC Photo)

Collaborative madness and apple pie: DeLouRue’s Freedom Fantasia.

•07/03/2012 • 1 Comment

Kitten LaRue last summer in Freedom Fantasia. (Photo by POC)

On the eve of Freedom Fantasia‘s three night run at the Triple Door (the show kicks off Tuesday, July 3 and repeats twice nightly July 6-7) Kitten LaRue took a few moments to dish about the value of collaborative madness, metaphorical apple pie, love, and rule-breaking.

BSP: Hi Kitten! So this is the second year for Freedom Fantasia, correct?

Kitten: Correct! Last year we debuted at West Hall (which is a venue that we love), and were so thrilled when the Triple Door called to invite us to bring the show there the next year.

BSP: You and Ben DeLaCreme- and now Lou Henry Hoover, who joined DeLouRue presents this year- definitely bring out some heightened creative madness in each other. Why do you think that is- what’s the nature of this bizarre three-headed friendship & creative partnership?

Kitten: It’s an incredibly intense, manic, and thrilling collaboration….the three of us obviously have very close personal relationships with each other, which can alternately be helpful and exhilarating for the creative process, and also make you want to scratch each others eyeballs out when things get stressful (with LOVE of course!) It’s really been exciting to see how the three of us bring our individual influences and backgrounds to the table: Lou comes from the “serious” art world of modern dance, I dream of vintage MGM musicals, and Ben basically visualizes everything in the context of classic Looney Tunes. Somehow it comes together and makes sense! (To us at least.) And at the end of the day, what could be better than making fabulous art with my best friend and my girlfriend? Fun times.

BSP: How did you come up with the idea for this show, and how would you describe that overall idea?

Kitten: We wanted to make a “pageant” of sorts…a hilarious and smart patriotic school play for grown ups who are interested in celebrating the joyous highs and questionable lows of America and Americana. We were also interested in exploring the idea of what patriotism means for people who don’t always feel included in the “American dream”…queer people, broke people, minorities, marginalized rebels in general.

BSP: Are you optimistic about the future of equality in marriage? (By the way, I hear wedding bells are in the air…)

Kitten: Yes, it’s true! Lou got down on one knee and popped that magical question when we were in New Orleans last month, all romantical style. I do feel optimistic about marriage equality, it truly feels like an inevitable thing, minds are changing…I mean even OREOS are gay now, hooray!

BSP: How does acceptance seem to be coming along in your home state of Louisiana?

Kitten: I think my home state of Louisiana and the South in general may take a bit longer to catch up, sadly…organized religion unfortunately slows progress for many, and it is the Bible belt. (Although New Orleans is an oasis of liberal misfits with a rich cultural history of rule breaking, and has been for 200 years.)

BSP: Back to Freedom Fantasia– did you come up with the acts and cast around the concept, or did the performers bring ideas that magically fit?

Kitten: The three of us assembled our dream cast of all-stars from the burlesque, drag, and dance/theater worlds , and then we created the show and the acts around our casts’ unique talents and personas.

BSP: One of my favorite acts last year- without giving away too much- involved covered wagons and I believe, the song “Tumbling Tumbleweeds”(?) In all of your work with the Atomic Bombshells and also, in L’Edition Francaise with Lily Verlaine- you have a way of picking out the perfect music for your shows. How do you find and choose it?

Kitten: Thanks for that! Ahhh yes, our “dream ballet”. That track is Marty Robbins’ “Cool Water”. Music has always been my biggest inspiration and starting point. I grew up with musicians and music lovers (and play music myself) so I”m always pulling stuff from my childhood, mix tapes my Nana made me when I was young….my father (Papa Mali) is a musician and has a massive vinyl collection, so he’s always introducing me to amazing obscure stuff…

BSP: There’s also some singing by Ben and Jinx Monsoon in Freedom Fantasia…are they original songs?

Kitten: The big finale is actually a hilarious pop parody of Katy Perry, but with all original lyrics written by Ben DeLaCreme. Just wait and see…

Freedom Fantasia @ The Triple Door
July 3, 6, and 7 (shows at 7:30 and 10:30)
Get tickets HERE.

The cast of Freedom Fantasia (Photo by Ji Ji Lee)

Picks of the (g)litter.

•06/28/2012 • 1 Comment

Ah, pseudo-summertime. If you thought June was intensely packed with burlesque, just wait until July rolls around. We have some special features, guest interviews, guest contributors, and many, many shows to bring you coverage of- but until then, here’s a few particularly inspired events to end June with a bang:

First off, Paul Constant over at The Stranger just wrote a glowing review of the Heavenly Spies show Majesty! which closes this Friday night. Those hard-working, high-kicking ladies always blow me away with their unique and heavily choreographed numbers and their rapid-fire, peerless delivery. It’s really quite something to witness. Read Paul Constant’s fab review HERE, and check out some previous Spies features that I penned for The Stranger HERE and BSP HERE.

See Agent Rhinestone with her high-kicking sisters this Friday, June 29 night at Can Can (Photo by Bruce Dugdale)

Also starting on Friday- this show is (I believe) already sold out, but is still worth a mention because of its inspired concept alone. Vixen Valentine and Beatrice Belladonna bring you two nights of Behind The Blue Door: A Dr. Who-inspired Cabaret on Friday, June 29th and Saturday, June 30th at 8:00pm at the Annex Theatre.

From the mouths of the ladies:

Behind The Blue Door: A Dr. Who-inspired Cabaret is our sexy, silly take on the Whoniverse. Join us for an evening of burlesque, dance and more as we shimmy, shake, tease, and twirl our way across time and space with the help of a tarted-up TARDIS. With eleven Doctors, multiple companions, several spin-off shows, and an entire universe to explore anything can happen!

Performances by

Momo La Vein
Ava D’Jor
Fosse Jack
Beatrice Belladonna
Lacy Syanide
Kella Ray
Lowa de Boom Boom
Candy Apples
Scarlett O’Hairdye
Vixen Valentine
Sailor St Claire (Fri only)

It’s about time: a Dr. Who-inspired cabaret this Friday, June 29 & Saturday, June 30 at the Annex Theatre.

And finally, Saturday night:

Our friends over at Teatro ZinZanni once again share their unique stage and magnificent spiegeltent with returning guests from DeLouRue Presents and Dance Belt USA for FANCY SCHMANCY. The show is billed as a “post Pride dance party of theatrical proportions”:

Here’s the scoop:

From the crew that brought you PARTY SCHMARTY it’s….FANCY SCHMANCY! Suffering from pride withdrawal? Well dust off your most debaucherous dancin’ duds and get ready to sweat out those post-pride blues cuz it’s ALWAYS gay when DeLouRue gets their glittery mitts on it! It’s the wildest party ever to invade an antique Belgian spiegeltent! Drink it, snack it, twerk it, and feast your peepers on acts by some of Seattle’s most over-the-top performers! And remember: The Swanky Skankster always dresses for excesses. Teatro ZinZanni becomes CLUB ZINZANNI for one night only!

June 30, 2012: 11pm to 1:30am, 21+ Tickets at: http://dreams.zinzanni.org/pride
Featuring:
DJ NARK
Dance Belt USA
(Waxie Moon, Inga Ingenue and Ruby Mimosa)
BenDeLaCreme
Kitten LaRue
Lou Henry Hoover
Cherdonna Shinatra
And Our Fancy Schmancy Go-Go Dancers!

Cure your post-Pride depression with some late night shenanigans at Teatro ZinZanni this Saturday, June 30.

Three cheers for Nymph-o-mania. A public service reminder to HUMP!

•06/22/2012 • Leave a Comment

Olympia’s own TUSH! Burlesque and Seattle’s Stripped Screw will frolic and mingle with wild abandon this Saturday at Olympia’s majestic (and reportedly haunted?) Capitol Theater.  It’s been a minute since the ladies have worked together- some may recall that Stripped Screw took their touring show Disney After Dark to Olympia last year. TUSH!- unique not only for their many, many foxy members but for their unbridled creativity- worked with equally innovative Stripped Screw long distance to bounce ideas around for a collaborative show. What resulted was the idea of a Midsummer Night’s Dream-like wonderland of enchanted forests filled with “mythological creatures and animalia”.  A seductive, summery theme and two sets of clever, clever girls?  Sounds like a road trip is in order. Olympia’s not far-  and if you haven’t seen TUSH! yet – you really must.

Nymph-o-mania: Enchanted Forest Follies debuts Saturday, June 23

A sneak peek at Stripped Screw’s abandoned mental hospital shoot by Wavepainter Photography.

Also – just an early warning-  Stripped Screw’s new show Undressed to Kill is coming up in July. Read all about it at HERE or check out  www.strippedscrewburlesque.com.

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And finally- a reminder about something I look forward to each and every year (coming this fall to Olympia, as well)…please, aspiring filmmakers and recreational fornicators: go make a short film for this October 5 deadline:

BHoF 2012 Weekend: Part 2, plus an interview with Imogen Kelly.

•06/20/2012 • Leave a Comment

~ Written and photographed by Paul O’Connell (POC Photo) with additional photography courtesy of Derek Jackson

Special thanks to my fellow photographer Derek Jackson for photo use in this article.

Reigning Queen of Burlesque 2012 Imogen Kelly (Photo courtesy of Derek Jackson)

During BHoF weekend at The Orleans Hotel and Casino, the surreal moments just after one of the burlesque shows lets out or during an intermission are some of the more memorable. It’s the mix of two worlds: the glittery crowd of performers, producers, fans & photographers, and the slot machine junkies pulling the levers (or in this modern age of technology, pressing buttons) for a hopeful cash payout. As one world spills out of the theater, it’s always fun to watch the other world look on in amazement and wonder at the sudden flood of people dressed so fabulously and outrageously. It’s hard not to appear like a deer caught in the headlights through all of this; I often get lost in all of it myself. (Whom shall I talk to? My Seattle peeps? Friends I’ve made at previous festivals? Facebook crushes?)

After the Sunday night show I was able to briefly talk and snap a few photos of the new Reigning Queen of Burlesque, Imogen Kelly, from Australia. I love to hear about a performer’s personal burlesque history. It doesn’t matter if they’re new to the scene or seasoned pros. That’s the great thing about festivals- you meet so many people from across the burlesque world and get their own histories and perspectives on this great art form.

Naturally I wanted to hear about Imogen’s burlesque career. I first saw Imogen at last year’s BHoF in her cheeky and provocative “Let Them Eat Cake” performance, then again this year in her fabulous winning routine. I’m hoping she’ll be able to make it to the Seattle area in the next year to see her again. That certainly is a possibility as The Burlesque Hall of Fame has introduced the inaugural Queen’s Tour (developed with the help of Miss Indigo Blue), in which the Reigning Queen of Burlesque will act as an ambassador for BHoF. One of the places on that tour is The Vancouver Burlesque Festival in May 2013, and as Vancouver is so close to Seattle I’m sure we can persuade Imogen to come to Seattle before or after.

Here is the list of festivals (so far) that the Reigning Queen of Burlesque, Imogen Kelly will headline:

Imogen, currently on tour with the Australian Burlesque Festival, answered some of my questions via email the other day during some down time:

POC: Can you give a brief description of your origins in Burlesque?

Imogen: Essentially I was living in a punk ghetto as a teenager- so it started with needing to eat. I got a job in one of the local strip clubs, provided I wore a wig over my mohawk. This is all pre-table dancing and they only had stage shows, so I learned very quickly how to do a full length show. It was a fun job. The dressing rooms were full of old vaudevillians so I basically learned my schtick from them. Shortly afterwards I got into university studying performance art, so I started making performances that deconstructed striptease and everything I was seeing at work, eh voila!!! A style was born.

POC: What influenced your decision to get involved?

Imogen: It wasn’t so much a decision to get involved, when I started doing this there was no one else doing it- it was my art. I had a core group of feminist performers around me who were simply just fighting to get women spaces to perform. We have always called ourselves performance artists. It has become known to the world as neo-burlesque but we never originally identified as that. As for me I was just doing my thing.

POC: What keeps it fascinating for you now?

Imogen: I love watching burlesque grow and change. I love seeing all of the different interpretations of burlesque and also seeing how the world has changed to love striptease.

POC: How is Burlesque doing in Sydney? What has helped its progress there?

Imogen: The Sydney burlesque scene is very special to me as I was one of its pioneers. It’s a pretty pumping scene, perhaps tough to crack into. But it has some wonderful promoters and a plethora of unusual talent. Our audiences love huge sexy, fun acts- that’s one thing I can say. Sydney has the most fun-loving audience in Oz. I think that comes down to the fact that it’s such a gay old town. What has most helped its progress is that it was founded by professional performers, so performers have been paid properly from the word go. We expect a high level of professionalism from our promoters and to be treated respectfully by venues.

POC: Now that a few days of passed, what are your thoughts on being crowned Reigning Queen of Burlesque?

Imogen: Well it’s been a few weeks now and I’m having a great time! I certainly came home to a hero’s welcome. I haven’t really had a lot of time to think about it as I’m touring with The Australian Burlesque Festival.

POC: What are some of your plans for the future?

Imogen: I’m just mapping out what I am going to do with this wonderful title. There is talk of a cock rock band, a B-grade clown porn and a spaghetti western but firstly I would like to focus on The Queen’s Tour. As a part of my tour as Reigning Queen, I will be doing interviews with each city’s legends and the revival’s pioneers, probably for independent TV and the Burlesque museum. (BHoF)

POC: Do you have any burlesque heroes in your life, either Legends or contemporaries that you admire?

Imogen: Elizabeth Burton is one of the first women I met on the job and is one of Australia’s few surviving legends. She definitely keeps me going. She is 65 and still performing! One of the first things I’ve been able to do with this title was to actually give images of her to the museum- which is important for Australians to see their own legends being recognized. Other than that I am always inspired by Julie Atlas Muz for the fact that she seems also to have performance art as an undercurrent in her burlesque. I also have to mention my good friend Glitta Supernova. She is one of my oldest performing pals and started in the same way I did, at the same time. I guess we’ve been able to watch one other grow. It’s quite an amazing thing to see twenty years of another artist’s work.

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Ok, who wants to go to Australia with me?

See more about Imogen here: http://www.facebook.com/pages/Imogen-Kelly/211726038906314

Imogen at BHoF 2012 (Photo courtesy of Derek Jackson)

A starlet on the rise: Imogen at age 18

Imogen’s “Let Them Eat Cake” number at BHoF 2011 (POC Photo)

Imogen with her Reigning Queen of Burlesque trophy (POC Photo)

~I’ll see you on the stage, or behind the stage, or in the crowd. Happy summer to all- it looks like it’s going to be a pretty awesome burlesque summer.

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Here are some additional photos from the weekend…

BHoF Day 3 by POC Photo:

Calamity Chang (POC Photo)

Koko La Douce (POC Photo)

Chicava HoneyChild (POC Photo)

Cleo Viper (POC Photo)

April 0’Peel (POC Photo)

Gin Minsky, who dedicated her act to Diane Naegal (POC Photo)

Kitty Bang Bang (POC Photo)

Banbury Cross (POC Photo)

Nadine DuBois (POC Photo)

Ruby Joule (POC Photo)

Tansy (POC Photo)

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Legends Night by POC Photo:

The Swedish Housewife Presenting Legend of the Year to La Savona (POC Photo)

Bambi Jones (POC Photo)

Ellion Ness (POC Photo)

Georgette Sante (POC Photo)

Gypsy Louise and The Stage Door Johnnies (POC Photo)

Haji (POC Photo)

Holly Carroll (POC Photo)

Jean Idelle (POC Photo)

Shannon Doah (POC Photo)

Viva La Fever (POC Photo)

Kitten DeVille (POC Photo)

World Famous *BOB* (POC Photo)